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Posted: Friday, Aug. 22, 2008

And the Word became Art

By Janet I. Tu
Published in: Faith & Values
  • What: A contemporary Bible created in the tradition of handwritten medieval manuscripts, featuring illuminations – illustrations that use gold leaf and other precious metals.

    Size: Pages are 2 feet by 3 feet. When completed, the Bible will include nearly 1,150 pages bound in seven volumes.

    Completion: Expected in 2010.

    Cost: $3.5 million to create the Bible itself; about $7.5 million including cost of exhibition and tours.

    Home: After completion it will be housed at Hills Museum & Manuscript Library at Saint John's Abbey and University in Minnesota.

    Future use: Saint John's University plans to design programs around this Bible related to faith, art, history and science.

    Source: Saint John's Abbey and Saint John's University, Tacoma Art Museum


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    SEATTLE These days, when Bible verses can be pulled up instantly online and printed Bibles are readily available, an international team of monks, calligraphers and artists is creating a Bible the old-fashioned way.

    Team members are making their own goose-feather quills, using hand-ground paints, and writing and drawing on pages of treated calfskin.

    They're eight years into the creation of The Saint John's Bible, billed as the first commissioned handwritten Bible since the invention of the printing press some 500 years ago.

    “We're making a book that's intended to last 2,000 to 3,000 years,” said the Rev. Eric Hollas, a monk in the Roman Catholic Benedictine order at Saint John's Abbey in Minnesota.

    It's a Bible that blends the ancient and modern, both in technique and content.

    But the script is new, created by Donald Jackson of Wales, a former scribe to Queen Elizabeth II who is the project's artistic director.

    The project also uses a modern English translation of the Bible – the New Revised Standard Version. And its illuminations – illustrations that feature gold leaf and other precious metals – include references to the World Trade Center towers, NASA images and other faiths.

    It was important to the monks for the project to speak to the faithful now, and also to become a record for the future of how people today interpret Scripture.

    Creating a masterpiece

    The idea for a handwritten Bible, Hollas said, came from Jackson.

    Jackson has said that creating such a work is to a calligrapher what painting the Sistine Chapel would be to an artist.

    The proposal captured the imagination of the monks at Saint John's Abbey and Saint John's University, which jointly commissioned the $3.5 million project.

    They thought about how such a Bible might incorporate modern themes in its illustrations. One illumination features DNA strands, a reference to evolution.

    Another depicts Earth, based on an image from NASA's Hubble Space Telescope.

    Every Bible that's ever been made has tried to reflect its time, Hollas said.

    Not doing so “would be like someone getting up in the pulpit and giving a sermon on some issue that was important 800 years ago but not now.”

    Some decisions have provoked controversy.

    One religious-book distributor refused to carry copies of portions of The Saint John's Bible in his store, objecting to the references to evolution, said the Rev. Michael Patella, a monk at Saint John's Abbey who heads a committee providing theological guidance to the calligraphers and artists.

    For the monks, it was important to show that “faith and reason go hand in hand,” he said. “Science tells us how we got to where we are. The Bible tells us why we got to where we are.”

    Personal touches

    Among the three American artists chosen for the project was Suzanne Moore of Vashon Island, Wash.

    Her first assignment, she said, was daunting: to provide an illumination depicting The Last Judgment, a subject that's been tackled by artists including Michelangelo and Hieronymus Bosch.

    She imagined a “multitude of artists lined up over my shoulder, saying: ‘You're going to do that?'”

    So far she's completed nine illustrations – work she's found intellectually and spiritually rewarding.

    Moore started her work soon after the Sept. 11 terrorist attacks and has incorporated her memories of that and other experiences.

    In one piece, she drew a chessboard, saying it reflects her belief that “in some way, humans either play the political game with human lives or are part of the game.”

    Her depiction of Heaven includes a garden and has delphiniums, in honor of her grandmother Delphina.

    Hollas said such personal touches distinguish handwritten, illustrated Bibles.

    And there's something to be said for the role of art in inspiring and deepening faith.

    Biblical tradition is not just about abstract concepts, rules and laws, said Gregory Wolfe, publisher and editor of Image, a national journal that explores art and faith.

    “It's about grace, a presence that's felt to be beautiful and attractive,” Wolfe said. A work like The Saint John's Bible “reminds us of the importance of beauty in our experience of the spiritual.”

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