Fans of On Q Performing Arts expected to sit in Duke Energy Theater this weekend, watching Lynn Nottages Ruined, but the Pulitzer-winning drama has been canceled.
It wont even get a staged reading, as Stacey Roses The Social Networth did in March, after On Q decided against a full production of that play.
So what has happened?
A perfect storm, says artistic director and founder Quentin Talley. His absence for most of the season hampered fund-raising. Board president Tracy Russ moved to Washington, D.C., and hasnt been replaced. Ticket sales for Twilight, the seasons second play of four, fell far short of expectations.
On Q has been running mostly through ticket sales, he says. Our budget was $70,000, and the only significant (outside) support was a $15,000 cultural innovation grant from the Arts & Science Council. So when sales for Twilight were so low, we had to revamp Networth and put a hold on Ruined. We couldnt keep getting more and more in the hole.
But even if Id been in town, it would have been a struggle to find money. We need to think about how we operate and how many shows we do.
Talley has spent most of his time this season with Penumbra Theatre Company in Minneapolis, as the protégé of artistic director Lou Bellamy.
Last summer, Talley won one of six One-on-One awards given in America, paid for by the Andrew Mellon Foundation and run by Theatre Communications Group. It will pay him $75,000 over 18 months, starting last September. Up to $14,500 more is available for professional development or life needs, such as health care.
He went to Oregon Shakespeare Festival to help Bellamy direct August Wilsons drama Two Trains Running, went back to Minnesota to work on Zora Neale Hurstons Spunk and is now digging in Penumbras archives to help put together a history of its 37 years. Hell observe and assist with education efforts this summer.
Talley has come back to Charlotte at times he and Bellamy participated in an April fundraiser that garnered $2000 for On Q and will be here next weekend, for a revival of Miles and Coltrane: Blue.
That play, collectively written by the slam poets of Concrete Generation, will go to the Edinburgh Fringe Festival this summer. Its brief run at Duke Energy Theatre (see box) will raise money for a projected month-long stay in Scotland. Though On Q has put on the play, and Talley stars as saxophonist John Coltrane, this version isnt an On Q project.
The play was at Edinburgh (in 2009) for a week in the middle of the festival, Talley recalls. To maximize publicity, you want to be there the whole time. We hope to pick up some producers (toward) our ultimate goal of a New York run.
And what of On Q? Talley sent an e-mail blast to season subscribers saying, We are in a phase of temporary transition We have entered a process to address the current challenges and intend to arise from this situation as quickly as possible. We will renew our efforts to build a solid organizational and financial base .
He plans to launch a fund-raising campaign in June before announcing season five.
He expects to maintain On Qs partnership with Blumenthal Performing Arts. (Blumenthal will import Penumbras production of The Mountaintop, Katori Halls play about the last night of Martin Luther King Jr., in its Broadway Extras series.)
And he plans to direct Two Trains Running for On Q, with Bellamy in town to help.
Were calling the next season Behind the Dream, Talley says. Its about going behind the scenes of the American Dream, what it means to be successful. Our company is essentially African-American, so well be talking about the civil rights dream, too. On Q will definitely be back.
The Charlotte Observer welcomes your comments on news of the day. The more voices engaged in conversation, the better for us all, but do keep it civil. Please refrain from profanity, obscenity, spam, name-calling or attacking others for their views.
Have a news tip? You can send it to a local news editor; email firstname.lastname@example.org to send us your tip - or - consider joining the Public Insight Network and become a source for The Charlotte Observer.Read moreRead less