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Crisp combo

By Elaine Markoutsas
Universal Uclick
  • http://media.charlotteobserver.com/smedia/2013/09/03/09/54/1bl4dR.Em.138.jpeg|319
    WERNER STRAUBE -
    A cloud-like wallcovering based on a beautiful pen-and-ink drawing by artist and designer Piero Fornasetti, is the backdrop for a foyer designed by Joan Craig and Gemma Parker-McKeon of Lichten Craig Architecture + Interiors. From soft black through shades of gray and white, the paper is complemented with black-painted moldings at floor and ceiling, a black floor, ebonized Biedermeier chair with matching upholstery, a spiral gilt bronze lamp with crisp shade bordered in black and punched up with a lacquered Jules Leleu teal console.
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    handout -
    The Gerston slipcovered tuxedo sofa from Bernhardt sports a smaller-scale woven houndstooth. Shown in an all-white envelope with strong black-and-white art leaning against the wall and heathered gray and violet accents, the effect is tailored and sophisticated.
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    Clean, simple lines with a bold decorative accent make this a standout lamp from Bungalow Belt.
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    The power of high-contrast dark and light is amplified with geometry in this bookcase from CFC. Shelves are crafted from rustic wood.
  • http://media.charlotteobserver.com/smedia/2013/08/29/16/39/10ChDl.Em.138.jpeg|199
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    An 18th-century-inspired chair gets a sassy new attitude with linen upholstery that teams blocks of black and white. The Aledo chair, from CR Laine, sells for $1,375 as shown, in Tess Oyster and Inspire Onyx.

More Information

  • Sources

    • Bernhardt 828-758-9811 or www.bernhardt.com

    • Bungalow Belt 708-442-9009 or www.bungalowbelt.com

    • CR Laine Furniture 336-841-3224 or www.crlaine.com

    • Sara Story Design 212-228-6007 or www.sarastorydesign.com

    • Surya 877-275-7847 or www.surya.com


  • Pattern power

     Designer showhouses often are a treasure trove for creative decorating ideas. Not surprisingly, a black-and-white palette often is part of the mix, as it is a perennial favorite.

     And just as in fashion, strong pattern is pivotal in some of the most memorable interiors. Checkerboard on the walls and floor for example, may not be for the faint of heart. But it made for a smashing bathroom at the Kips Bay Showhouse in New York this past spring.

     In an adjacent room, designer Sara Story also covered the walls and floor in pattern, but in a different level of intensities. She chose one of her own wallpaper designs, bamboo – a riff of a traditional Asian motif. “Bamboo is a symbol of strength and that aura infuses the space. It is graphic without being rigidly geometric, striking without being too serious, fun without being self-conscious, and it serves as a great backdrop for artwork.”

     On the floor are carpet tiles “intentionally rigid geometric, which grounds the room.” Pale lilac sofas further play with the geometry while adding a color burst. And the ceiling, painted to match with a reflective sheen, “works to mirror the patterns back into the room and is a minimalist way to add texture.”

    Elaine Markoutsas, Universal Uclick



With black and white, there’s no middle ground. It’s high-contrast. Crisp. Classic.

In home design, the teaming is a perennial favorite – one as beloved as it is in apparel, especially by purists. It has its place in traditional decor, with styles from Art Deco to Country French (think toile prints) to Neoclassical. And, of course, it’s about as modern as it gets. It runs the gamut from sleek black-tie Hollywood glam to romantic country casual, where the fabrics may be washed linens and soft plaids and the finishes matte and distressed.

But this year, black and white has emerged as one of the big furnishings stories. It started at the big Paris show, Maison et Objet. It continued on this year’s fashion runways. From Dolce & Gabbana oversized horizontal stripes to Jason Wu black on white luxe embroideries to Marc Jacobs animal prints – zebra, snow leopard and giraffe – as well as cheeky op art prints and Louis Vuitton’s playful checkerboard.

Perhaps the biggest takeaway from all that black and white is its current moxie – from color blocking (bold swaths side by side a la Mondrian) to distinctive patterns (houndstooth, chevron, stripes, op art and geometric designs are packing the most punch).

“The energizing power of black and white is not confined to apparel,” said Ron Fiore, creative director for Bernhardt Furniture. “Black-and-white combinations are easy to live with, grounding, and mix with any palette. Stripes are familiar, and to mix a floral pattern with black-and-white stripe is kind of cool.”

What’s especially cool is the unexpected – teaming up a traditional silhouette and frame with a very modern cover. Holly Blalock of CR Laine, a Hickory-based furniture manufacturer, did that with a couple of recently introduced chairs. The frame for the Bradstreet chair was inspired by an 18th-century chair with a series of turnings on the front arms and feet.

“There’s something almost odd about it,” Blalock said. “It turns from thick to thin. It doesn’t follow columnar scale. And the ball at the end of the arm is even more exaggerated. I liked that quirkiness.”

And although even the finish of the chair is distressed, Blalock chose a totally modern zigzag pattern for upholstery.

For another traditional armchair, the Aledo, Blalock pieced together linen in black and white to create a sassy, asymmetrical stripe.

“We have always interpreted this chair more traditionally – with hand-blocked prints and matelasses,” she said. “Sometimes you just have to start from scratch and reinvent. When the linens are sewn together, they create this overscale graphic stripe, which completely comes alive.”

A sort of color blocking in furniture in the last year or so has teamed light and dark finishes in single pieces. For example, an ebony dresser is set with contrasting ivory drawers, for example. Also popular are inlays, typically of bone or mother of pearl. Many of these have a range of global sources as well as styles, some with Moorish inspiration.

Inlays add textural dimension as well, because they’re essentially like mosaic strips that create a pattern. And mother of pearl lends sheen.

One versatile cube (table as well as stool) recently introduced by Bernhardt is the zebra, which is composed of white bone inlay with black poured resin. Its op-art pattern snakes around the corners and adds a compelling graphic focal point, almost like visual upholstery. The piece will add an exclamation to a quiet corner.

An enormous advantage of a black-and-white palette is its ability to change attitude with a simple addition of color. Lipstick red is a favorite go-to combination. So are yellow or mustard. Cobalt blue or turquoise. Purple, magenta or hot pink. Orange or coral. Lime green or emerald.

“Once when I was in New York, I saw a woman in a Kelly green trench coat with a zebra bag,” Fiore said.

“It’s an image I’ve never forgotten. When a black-and-white room gets hit with a piece of color, that brings it out even more. The color could be in throw pillows or a slipcover, a funny little ottoman, a couple of vases, a big dish or a book.”

If you want to furnish a room in black and white, you can create an envelope with walls painted simply in either hue, perhaps with contrasting moldings. Choose white slipcovers and furniture in ebony frames.

“Black and white is a classic combination which can both ground a room and add a pop of intrigue and excitement,” said New York-based international designer Sara Story.

“It is timeless and modern at the same time.”

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