In The Wolf of Wall Street, out-of-control stock broker Jordan Belfort is initially furious when a Forbes magazine profile turns out to be a hatchet job labeling him a twisted Robin Hood who takes from the rich and gives to himself and his merry band of brokers.
But Belfort, played by Leonardo DiCaprio, is quickly schooled on the rules of publicity. The next morning, his office is overrun with rabid young brokers desperately waving resumes, dying to join his merry band.
The reaction to Martin Scorseses portrait of Wall Street excess has been comically similar. Its been judged by some critics and moviegoers as a glorification of unchecked greed. But the movies bad reputation as an orgy of drugs, sex and money (not to mention a reportedly record-setting 506 F-bombs) has also drawn eager crowds. In two weeks, the film has made $63.3 million at the box office and will likely become, if not an outright hit, one of Scorseses highest-grossing pictures.
The Wolf of Wall Street has turned into easily the most debated film in an award season otherwise lacking much controversy, aside from some scattered fact-bending concerns. Scorsese and DiCaprio have been on damage control in recent days, defending their film as a thought-provoking portrait of decadence run amok. Nearly every film critic and countless moviegoers have weighed in on the morality of The Wolf of Wall Street: whether the film enjoys Belforts hedonistic high a little too much, or whether tapping into the thrill of self-indulgence is actually the point.
He does it because he can, Scorsese said in a recent interview. If you can do anything because you can, what are we as people? Can we easily fall into it? I think so.
The largest missive came when LA Weekly published an open letter by Christina McDowell, the daughter of a lawyer Belfort worked with, in which she described the hard realities of those victimized by Belforts shady penny-stock dealings.
Your film is a reckless attempt at continuing to pretend that these sorts of schemes are entertaining, even as the country is reeling from yet another round of Wall Street scandals, McDowell wrote.
To the critics of The Wolf of Wall Street, the nearly three-hour film fails to sufficiently judge the actions of its characters or depict the victims of Belforts recklessness. The Wall Street Journals Joe Morgenstern called the film a hollow spectacle. It should be noted, though, that the Journals dismissal might be considered a badge of honor for any movie about Wall Street.
And since the movie is based on Belforts memoir, the former broker, who was convicted of fraud and served 22 months in prison, has profited from the making of the film, whether monetarily or in publicity for his motivational speaking. He also makes a brief cameo in the movie.
As part of his sentence, Belfort was ordered to repay defrauded investors $110.4 million, a figure hes unlikely to ever approach fulfilling. A portion of his income goes toward a victim compensation fund.
Belfort has said hes turning over all profits from the movie to the government.
The backlash, though, may be taking indignation for Belfort, who received a relatively soft sentence after giving evidence against his colleagues, and misplacing it on the movie. In an interview, DiCaprio called the film a biography of a scumbag.
I understood how Jordan must have felt, DiCaprio said. These people idolizing you even though Im preaching to them about screwing people over to its ultimate degree.
The Charlotte Observer welcomes your comments on news of the day. The more voices engaged in conversation, the better for us all, but do keep it civil. Please refrain from profanity, obscenity, spam, name-calling or attacking others for their views.
Have a news tip? You can send it to a local news editor; email email@example.com to send us your tip - or - consider joining the Public Insight Network and become a source for The Charlotte Observer.Read moreRead less