‘Sex Tape’ is not quite as bad as its TV ads
07/17/2014 4:20 PM
07/18/2014 9:53 PM
“Sex Tape” is not quite the train wreck its TV ads make it out to be. Which turns out to be the good news as far as this last and least of the big R-rated comedies of summer goes.
Cameron Diaz and Jason Segel slimmed down and earned the most flattering lighting manageable for the nudity, which is plentiful. They’re game enough. But their chemistry is strictly professional, and there’s just not a lot of fun in watching two actors go through the motions as boring suburbanites who dare to cut loose and try a no-holds-barred/every-position-tried sex tape, and then freak out when that video gets “out there.”
Diaz is Annie, who narrates an opening that recounts “the first time” her husband saw her naked. Diaz and Segel, as husband Jay, make a spirited stab at playing their randy collegiate selves – making the beast with two backs in dorm rooms, cars and in between the library stacks.
A pregnancy and marriage follow, and Annie asks the only important question left to ask.
“When’s the last time your husband saw you naked?”
She’s narrating her blog (”Who’s Yo Momma?”) and lamenting the way kids, work and routine kill the romance and the sexual heat in a relationship.
Her blog is popular enough to merit attention from a big toy maker, which would like her to tame it and make her the face of their ideal mommy customer. Rob Lowe is the toothy, “I’m very excited” corporate kingpin courting her.
But the couple’s solution to their marriage doldrums could destroy that. Running through “every position” in “The Joy of Sex” on video for their new iPad may have been fun. What happens to the video that Jay forgets to erase is what sends them out, in the dark of night, to retrieve iPads they’ve given away to friends, family and their postman.
Yeah, I know, who does that?
The best moments in the middle acts involve Segel playing a deadly cat-and-mouse game with a German shepherd belonging to Lowe’s uber-rich toy mogul (he has Annie’s iPad).
But those moments are scattered as they team up with unfunny friends (Rob Corddry, usually better than this, and Ellie Klemper) and an obnoxious kid. Where a Judd Apatow or Nicholas Stoller or Seth Rogen would pile outrageous joke upon joke, director Jake Kasdan and crew dawdle from one half-hearted gag to the next. At a slogging 95 minutes, “Sex Tape” has no pacing and few rewards for enduring its dull stretches in between the better bits. Segel amps up the mania, here and there. But Diaz never unleashes that “Bad Teacher” fury.
Still, two troubling social ills are mocked in the film. Yes, our world’s over-connected, something demonstrated every time an iPad/Macbook or iPhone runs an app that uploads a video, or turns up creepy toy boss Lowe’s fireplace, cranks up his favorite band (Slayer) or sets the mood lighting for when he asks if Annie is up for a little cocaine.
And yes, product placement has run amok in the movies. Seriously, did Apple underwrite this? Because the message isn’t going to help their bottom line. That message is “Apple will be our undoing.”
On paper it all should have worked. Diaz’s “Bad Teacher” director Kasdan behind the camera, Segel and his “Forgetting Sarah Marshall” pal Stoller joking up Kate (“The Back-Up Plan”) Angelo’s script. Something goes terribly wrong long before Jack Black turns up as the foul-mouthed porn-purveying voice of reason and marital harmony in the third act.
As Black’s character reminds us, no “Sex Tape” ever did anybody any good. It just spices up what’s already stale – a marriage, or a movie.
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