Welsh actor Matthew Rhys is charmingly evasive. Rather than offering long-winded answers about himself, Rhys is just as likely to respond to a question with another question, a tendency that makes it easier to understand how he effortlessly slips into so many disparate identities on FX’s Cold War drama “The Americans.”
Each week, Rhys plays a Soviet spy posing as a suburban American dad named Philip Jennings. In the line of duty, he assumes numerous personas by relying on an impressive array of wigs, facial hair and eyewear to maintain his cover.
Though the gloriously authentic 1980s hair and makeup certainly come in handy, it’s Rhys who deserves the credit for pulling off such remarkable dramatic contortions.
“I’m always trying to find what’s the truth in this moment,” says Rhys, clad in a chambray shirt and cargo pants, an inconspicuously cool ensemble that would be a great disguise for a spy hiding out in Brooklyn – though his rolling native accent, so thoroughly masked in “The Americans,” would be a dead giveaway.
Over the course of a career dating to the late 1990s, Rhys, 39, has starred as a gay Southern California lawyer in the prime-time network soap “Brothers & Sisters,” an opium-smoking choirmaster in an adaptation of Charles Dickens’ “The Mystery of Edwin Drood” and poet Dylan Thomas in the pedigreed biopic “The Edge of Love.”
“There’s something in Philip who’s always figuring out his place,” says Joel Fields, executive producer of “The Americans.” “I sometimes wonder whether that is deeply imprinted in Matthew’s soul somehow. I can’t help but feel there is something in that Welsh upbringing, in the culture of being an outsider inside a larger country, being Welsh in Great Britain, that goes to the way he comes at acting in general and this role in particular.”
Now in its second season, “The Americans” puts a new spin on the antihero drama by centering on a married pair of KGB spies living in suburban Falls Church, Va., in the early days of the Reagan administration.
On the surface, Philip and his wife, Elizabeth, (Keri Russell) are unusually attractive but otherwise unremarkable, with two kids and a cover job running a travel agency. In truth they are ruthlessly effective, cold-blooded agents, willing to lie, cheat, torture, kidnap and kill in service of the motherland. Their seemingly content marriage is also intensely fraught: What began years ago as a partnership arranged by their KGB handlers has evolved into a loving relationship, and their growing attachment to each other has made certain aspects of their job, like seducing sources, less palatable.
For Rhys, the Jenningses’ complex marriage was the main reason he signed up for the show. “It’s the sort we’ve never seen before, two people who’ve been together for X amount of years and now begin to forge a real relationship. The spy stuff was just a bonus.”
In a refreshing gender reversal, Philip is the more sympathetic protagonist, both a warmer parent and more conflicted spy. Though for now he remains committed to the Soviet cause, Philip has evidently been seduced by the West: He bought a Camaro on a whim, creating tension with his dogmatic wife.
“His thing is always family and their safety, and his realization that it’s not a career or a life that can be sustained,” Rhys says. “His mandate is simple: He just wants to stay alive.”
The onscreen dynamic between Rhys and Russell has contributed to rumors of an offscreen relationship, though both have denied a real-life romance.
Rhys will turn 40 later this year, which occasionally gives him second thoughts about his career. “I catch myself going, ‘What am I doing? I’m almost 40, running around in a wig, pretending to be a spy. What am I doing for a living?’ Don’t get me wrong, you couldn’t ask for better, but the older I get, the louder that is in my head.”