Local Arts

Elvis, vaudeville and ‘The Sound of Music’: Inside Carolina Theatre’s history

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The historic Carolina Theatre marked its splashy, $90-million revival the other week with a reopening celebration befitting of an uptown Charlotte landmark.

The 98-year-old theater had been shuttered for nearly half a century before reopening to the public. Already, the Charlotte Symphony held its Spring Gala there, with star soprano Renée Fleming. The orchestra and theater made a big ta-do about this since the venue was where the CSO held its very first performance in 1932.

So that got us thinking.

As the theater embarks on the next chapter of its history, what better time than to look back at some of the other highlights there. The theater’s history mirrored that of popular entertainment for much of the 20th century, from silent films and vaudeville acts to touring Broadway shows, pop singers and widescreen cinema.

Many of the dates and details come thanks to the research and recollection of Charlie Clayton, founder and president of the Carolina Theatre Preservation Society, and theater communications director Jared Misner.

Clayton told the Observer Wednesday it feels wonderful but unreal to finally see the theater renovated and reopened after spending years pushing for just that. “It’s crazy,” he said. “I think about all those times (going by the theater) and I’d call her ‘A Sleeping Beauty.’ I’d say, ‘I’m trying to wake you up, my dear.’ “

In 1938, Carolina Theatre marked its second “Grand Opening.” The theater was transformed from the silent movie era to the talkies. New projection equipment was installed, as was a new AC system.
In 1938, Carolina Theatre marked its second “Grand Opening.” The theater was transformed from the silent movie era to the talkies. New projection equipment was installed, as was a new AC system. Carolina Theatre

The earliest days of Carolina Theatre

March 7, 1927: Carolina Theatre opens. Its first movie is the silent slapstick comedy “A Kiss in a Taxi” starring Bebe Daniels and Chester Conklin. It’s considered a lost film now, as no prints are known to have survived, a common fate for many silent-era movies.

The theater itself debuted to rave reviews in The Charlotte Observer, which gushed: “For sheer splendor and luxury, it is a creation that will provoke admiration throughout the theatrical world.” Not enough? The theater was also billed as the new “Cathedral to Entertainment.”

What’s more, it was the first commercial building open to the public in Charlotte that featured a new-fangled cooling system called “air conditioning.”

Performers on the vaudeville circuit often player the theater as well. One ad for the 1927 silent film “Casey at the Bat” with Wallace Beery also promised stage acts including ”an international singing star... foremost Spanish dancers... and (a woman playing) the mighty Wurlitzer” organ.

March 14, 1927: A week after the theater opens, the movie “It,” starring Clara Bow plays there. Bow’s performance as a plucky and fashionable shop girl cemented her reputation as “The It Girl” who epitomized the Roaring Twenties.

Clara Bow, who shot to fame in the 1927 film “It,” epitomized the spirit of the Roaring Twenties. The film played during the second week Carolina Theatre was open.
Clara Bow, who shot to fame in the 1927 film “It,” epitomized the spirit of the Roaring Twenties. The film played during the second week Carolina Theatre was open. Clara Bow / Alfred Cheney Johnston / c. 1927 / National Portrait Gallery, Smithsonian Institution

From silent films to talkies and the CSO

Early 1931: Silent film star Buster Keaton‘s early talkie, “Parlor, Bedroom and Bath,” opens at Carolina Theatre. Images of “The Great Stone Face” comedian adorn the marquee.

Silent film star Buster Keaton’s early talkie, “Parlor, Bedroom and Bath,” opened in 1931 at Carolina Theatre.
Silent film star Buster Keaton’s early talkie, “Parlor, Bedroom and Bath,” opened in 1931 at Carolina Theatre. Courtesy Carolina Theatre

March 20,1932: The Charlotte Symphony Orchestra makes its debut at the theater, under the baton of founding Music Director Guillermo S. de Roxlo.

Hand-written parts by and for Guillermo S. de Roxlo’s Symphony in F titled, “Our Orchestra.” It was performed along with pieces by Mozart, Debussy, Wagner and Grieg at the first Charlotte Symphony concert on March 20, 1932, at Carolina Theatre.
Hand-written parts by and for Guillermo S. de Roxlo’s Symphony in F titled, “Our Orchestra.” It was performed along with pieces by Mozart, Debussy, Wagner and Grieg at the first Charlotte Symphony concert on March 20, 1932, at Carolina Theatre. Charlotte Symphony Orchestra

March 30,1938: A decade after it opened, Carolina Theatre celebrates another “Grand Opening” after installing new projectors with sound. Its original murals were replaced with acoustic tiles and modern furniture was brought in too.

Jan. 29, 1940: “Gone With the Wind” has its North Carolina premiere at Carolina Theatre.

The iconic poster for “Gone with the Wind.”
The iconic poster for “Gone with the Wind.” Observer archives

1943: “The Corn Is Green” play starring theater royalty Ethel Barrymore debuts in Charlotte, after Barrymore led the company on Broadway. The show by Welsh playwright Emlyn Williams celebrates how education can save lives.

Actress Ethel Barrymore, photographed by George Hurrell in the mid-1930s, was one of many stars to perform at the Carolina Theatre in Charlotte.
Actress Ethel Barrymore, photographed by George Hurrell in the mid-1930s, was one of many stars to perform at the Carolina Theatre in Charlotte. National Portrait Gallery, Smithsonian Institution; acquired in part through the generosity of an anonymous donor, c. 1935

The early 1940s: While passing through town, comedian Bob Hope stops by Carolina Theatre to shake hands with startled people waiting in line to catch one of his “On the Road” movies.

The late 1940s: Actress Katharine Hepburn appears in a show at the theater.

An undated handout photo of Noelle Middleton, left, Bob Hope and Katharine Hepburn in the 1956 film, “The Iron Petticoat.” An undated handout photo of Noelle Middleton, left, Bob Hope and Katharine Hepburn in the 1956 film, “The Iron Petticoat.” Hepburn had performed at Carolina Theatre in Charlotte, while Hope once greeted surprised patrons waiting to see one of his “On the Road” movies.
An undated handout photo of Noelle Middleton, left, Bob Hope and Katharine Hepburn in the 1956 film, “The Iron Petticoat.” An undated handout photo of Noelle Middleton, left, Bob Hope and Katharine Hepburn in the 1956 film, “The Iron Petticoat.” Hepburn had performed at Carolina Theatre in Charlotte, while Hope once greeted surprised patrons waiting to see one of his “On the Road” movies. NYT via Romulus Films and TCM

Cinemascope, Elvis and Andy Griffith hit Carolina Theatre

Carolina Theatre in the 1950s, looking across 6th and Tryon streets in uptown Charlotte.
Carolina Theatre in the 1950s, looking across 6th and Tryon streets in uptown Charlotte. Carolina Theatre

Oct. 29, 1953: A new 40-foot Cinemascope screen is installed.

Feb. 10, 1956: A 21-year-old Elvis Presley performs. At the time, he had just begun his meteoric rise. One local ad for the show touted his appearance as “The new personality you’ve heard so much about. Guest star for the past two weeks on The Jackie Gleason show.” He also was the “RCA Victor singing sensation of two top hits, ‘I Forgot to Remember to Forget’ and ‘Mystery Train.’ “

Outside Carolina Theatre on Feb. 10, 1956, for Elvis Presley’s show in Charlotte.
Outside Carolina Theatre on Feb. 10, 1956, for Elvis Presley’s show in Charlotte. Courtesy Carolina Theatre

Tickets for the nascent King of Rock n‘ Roll were 85 cents for adults and 50 cents for kids. (That’s roughly $10 for adults and $5 for kids in today’s dollars.)

Elvis Presley, seen here on stage at Carolina Theatre in uptown Charlotte on Feb. 10, 1956.
Elvis Presley, seen here on stage at Carolina Theatre in uptown Charlotte on Feb. 10, 1956. Courtesy Carolina Theatre

In the 1950s: Andy Griffith performs the theater. A few years later, his eponymous TV show set in a fictionalized version of his N.C. hometown would debut in 1960.

A House bill would make “The Andy Griffith Show” North Carolina’s official TV show.
A House bill would make “The Andy Griffith Show” North Carolina’s official TV show. CBS Photo Archive

The late 1950s: The theater is unofficially desegregated, according to three Black men that Clayton interviewed. They told him they were allowed to come in by a side entrance and sit in the upper balcony. At the time, white theaters showed first-run films while Black theaters in Charlotte just got second-run ones, Clayton said.

The late 1950s: Frank Sinatra performs at Carolina Theatre. A decade earlier, an early mentor for Sinatra, Big Band leader Tommy Dorsey, also had played the theater.

Frank Sinatra performs with bandleader Tommy Dorsey, left, in a circa 1940 photo. Dorsey was Sinatra’s early mentor until he left the band in 1942 to start a solo career. Dorsey and Sinatra were among the many performers who played Carolina Theatre in Charlotte over the years.
Frank Sinatra performs with bandleader Tommy Dorsey, left, in a circa 1940 photo. Dorsey was Sinatra’s early mentor until he left the band in 1942 to start a solo career. Dorsey and Sinatra were among the many performers who played Carolina Theatre in Charlotte over the years. KRT file photo courtesy Frank Driggs Collection via Philadelphia Inquirer

Desegregation, a record run and the final days

Dec. 22, 1961: “This is Cinerama” premiers, touting its new widescreen format. The Cinerama screen was more than double the size of the Cinemascope one, and encompassed almost the whole front of the theater. The theater organ is removed and curtains hide the historic elements. All of the changes turned the theater into a movies-only facility, Clayton said.

1963: The theater is officially desegregated. At first, Black patrons were allowed in in small groups, but they had to reserve seats in advance. Within a few weeks, however, the reservation requirement was dropped.

Almost 400,000 people saw “The Sound of Music” at Carolina Theater during its 79-week run at Carolina Theatre.
Almost 400,000 people saw “The Sound of Music” at Carolina Theater during its 79-week run at Carolina Theatre. The Charlotte News

March 31, 1965: The “Sound of Music” begins its record, 79-week run, playing to nearly 400,000 people. (To mark the theater’s 75th anniversary in 2002, the MC for the Spirit Square event was longtime Concord resident Daniel Truhitte. He played Rolf, Liesl’s love interest/Nazi youth villain in the movie.)

Customers line up to see the action adventure movie “Cleopatra Jones and the Casino of Gold” at Carolina Theatre in 1975. The film stars Tamara Dobson, Stella Stevens and Norman Fell, who would soon star as the landlord, Mr. Roeper, on ABC’s “Three’s Company.”
Customers line up to see the action adventure movie “Cleopatra Jones and the Casino of Gold” at Carolina Theatre in 1975. The film stars Tamara Dobson, Stella Stevens and Norman Fell, who would soon star as the landlord, Mr. Roeper, on ABC’s “Three’s Company.” Carolina Theatre

Nov. 27, 1978: Carolina Theatre closes. Its final movie was “Fist of Fury” starring Bruce Lee.

After the ‘70s

Nov. 13, 1980: There’s a fire in the stage area, but the fire curtain protects the theater.

September 1982: The facade is placed on the local historic register.

January 1997: Charlie Clayton forms the Carolina Theatre Preservation Society with a $50,000 grant from the state.

April 2013: The city of Charlotte sells the theater to the Foundation for the Carolinas for $1.

March 24, 2025: Following a number of fits and starts over the years, renovation and restoration that began in 2018 culminates with the reopening of Carolina Theatre.

Rows of seats are flanked by an ornate gold design that also serves to light the walkway in the newly renovated and restored Carolina Theater a couple weeks before it reopened.
Rows of seats are flanked by an ornate gold design that also serves to light the walkway in the newly renovated and restored Carolina Theater a couple weeks before it reopened. KHADEJEH NIKOUYEH Knikouyeh@charlotteobserver.com

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Adam Bell
The Charlotte Observer
Award-winning journalist Adam Bell has worked for The Charlotte Observer since 1999 in a variety of reporting and editing roles. He currently is the business editor and the arts editor. The Philly native and U.Va. grad also is a big fan of cheesesteaks and showtunes.  Support my work with a digital subscription
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