It’s the same barber shop where John Lennon got haircuts as a kid, the place immortalized in the Beatles song “Penny Lane.”
But instead of “a barber showing photographs” and “a banker sitting waiting for a trim,” on this afternoon proprietor Adele Allan is snipping away on Jillian Keig.
“I didn’t know why people were making a fuss, actually,” Keig says of the early days of Beatlemania, now a half-century gone. “I remember the first record they did. … I thought they should pack it in.”
Thankfully, they didn’t. Lennon, Paul McCartney, George Harrison and Ringo Starr landed in America 50 years ago with their historic appearance on the “Ed Sullivan Show” on Feb. 9, 1964. The British Invasion had begun.
Though they left Liverpool behind, the city never let go of its favorite sons. Reminders of the Beatles are everywhere. Beatles tourism brings about $665 million to the local economy annually, says Joe Keggin of Marketing Liverpool. Here’s some of what the tourists come to see.
The street was a haunt for Lennon, McCartney and Harrison. Lennon and McCartney took what they saw on a daily basis and incorporated the people and events into the song “Penny Lane.” The “shelter in the middle of the roundabout” was once a bus terminal and a public toilet; it was later Sgt. Peppers, a pub. The spot is being renovated, albeit slowly, into a bistro. Allan’s shop (Tony Slavin Penny Lane Barber Shop; www.pennylanebarbershop.com) is decorated with Beatles photos. The banker who “never wears a mac in the pouring rain” worked just up the street (his bank is now a clinic). St. Barnabas Church, where McCartney was in the choir, is across the street.
“(Penny Lane) is where George, Paul and sometimes John would meet to go off to the city center to their schools,” says David Bentley, a delightful Liverpool cabbie who doubles as a delightful tour guide ( www.daytrippertaxitours.com). “This is where Paul would stand and start observing people. He’d see the banker struggling to get his key in the door. They’d laugh at him. There’d be girls from the Salvation Army selling trinkets from their trays. And they’d be saying the same thing every day, talking about religion. ‘They’d feel as if they’re in a play,’ reciting the same lines.”
The gate and wall on Beaconsfield Road stand outside what used to be a Salvation Army orphanage near Lennon’s home. In 1979 Lennon helped fund an annex at the building, and in 1984, four years after his death, Yoko Ono brought their son, Sean, to visit the site.
St. Peter’s Church
The stop on Church Road is where the Beatles story really began. On July 6, 1957, Lennon met McCartney for the first time at a church picnic where the Quarrymen played. And in the churchyard is the grave of Eleanor Rigby. McCartney for years said the title character in his song was fictional but in recent years has backtracked on that.
Liverpool Maternity Hospital
Its days as a maternity hospital ended long ago, but the 1920s-era building still draws people to Oxford Street as the site of Lennon’s birth. His mother, Julia Lennon, was admitted there the night of Oct. 8, 1940, the evening of a heavy German air raid, and her son was born the next day. Julia, worried the bombing would resume, kept John under her sturdy iron bed for five days.
Liverpool College of Art
Lennon enrolled here in 1957 and had a checkered academic career. It’s also where he met Cynthia Powell, his future wife, and Stuart Sutcliffe, who became a close friend and was the Beatles’ first bassist. The building on Hope Street is now owned by the Liverpool Institute for the Performing Arts.
Liverpool Institute High School for Boys
Next door to the College of Art, the institute on Mount Street was where Harrison and McCartney went to school. It closed in 1985 but was reborn in 1996 as the Liverpool Institute for the Performing Arts, started by McCartney and Mark Featherstone-Witty (McCartney contributed a reported $5 million).
Where they lived
Around the corner from Starr’s home, The Empress (93 High Park St.) is the pub where he and his mother would enjoy a pint. It was used for the cover of his first album, “Sentimental Journey.”